张义简历  zhangyi Biographies  

中国文化遗产保护传承人

中国收藏家协会会员

中国硅酸盐学会会员

中国钧官窑瓷器复烧技艺恢复者

河南省陶瓷艺术大师

河南省陶瓷设计艺术大师

河南大学中国陶瓷文化研究所签约首席陶艺家

郑州大学艺术陶瓷研究所副所长

郑州柴瓷研究会常务理事

禹州市钧官窑瓷器研究所所长

从事陶瓷工艺、设计、历代钧窑、钧官窑及近、现代钧瓷艺术研究。多年来陆续完成钧官窑及中国唐、宋、金、元、清历代钧釉的试制与研究工作。在历代钧窑、汝窑、南宋官窑及现代钧瓷艺术领域均有研究与成果。相关论文载《上海古陶瓷科学技术国际讨论会》论文集、《宋代五大名窑科学技术国际学术讨论会》论文集、《中国古陶瓷研究》论文集等会议论文及《中国陶瓷》、《硅酸盐通报》等中文核心，《中国炉钧艺术》主编，《中国钧瓷收藏与鉴赏》副主编，作品多次获国内奖项并多被国际友人收藏家收藏。

研究方向：陶瓷材料，陶瓷工艺，陶瓷艺术，古陶瓷研究。

Inheritors of China's cultural heritage

Member of Chinese collectors association

Member of China silicate society

Chinese royal kiln porcelain reburning technology restores

Henan ceramic art master

Henan ceramic design art master

Chief ceramist of China Institute of Ceramic Culture, Henan University

Deputy director of art ceramics institute, zhengzhou university

Standing director of zhengzhou chai porcelain research institute

Yuzhou jun official porcelain research institute director

Engaged in ceramic technology, design, Jun kiln, Jun kiln and recent, modern Jun porcelain art research.  Over the years, we have completed the trial production and research of Jun glaze for Tang, Song, Jin, Yuan and Qing dynasties.  In the dynasties Jun kiln, Ru kiln, Southern Song Dynasty official kiln and modern Jun porcelain art field have research and achievements.  Related papers published in science and technology of ancient ceramics in Shanghai international symposium proceedings, the song dynasty five ancient jun international academic conferences, science and technology papers, proceedings of Chinese ancient ceramics research later argument and "China ceramics", "bulletin and other Chinese core, silicate China furnace jun art editor in chief deputy editor jun porcelain collection and appreciation of the People's Republic of China.  His works have won many domestic awards and been collected by international friends. 

Research direction: Ceramic materials, ceramic technology, ceramic art, ancient ceramic research.

论文与专著

《唐代花瓷釉的实验和形成机理分析》《中国陶瓷》2006第10期

《中国钧瓷釉的分相与析晶》《硅酸盐通报》 2008第3期

《解析汝瓷釉层冰片形成机理》《09古陶瓷科学技术国际讨论会论文集》2009年2月

《中国宋钧官瓷釉的实验与研究》《硅酸盐通报》 2012第6期

《钧官窑年代辨析与考证》《故宫博物院钧窑学术研讨会论文集》2013年10月

《钧官瓷复烧及工艺研究》《宋代五大名窑科学技术国际学术讨论会论文集》2015年10月

《中国炉钧艺术》主编《海燕出版社》2013年12月

《中国钧瓷收藏与鉴赏》副主编《大象出版社》2015年3月

Papers and monographs

"Experiment and mechanism analysis of tang dynasty flower glaze" Chinese ceramics, no.10, 2006

"Phase separation and crystallization of Chinese jun glaze", "silicate bulletin", no.3, 2008

"Analyzing the formation mechanism of borneol in your glaze layer", proceedings of international symposium on ancient ceramics science and technology 09, February 2009

"Experiment and research on junguan porcelain glaze in song dynasty of China

"Analysis and textual research on junguan kiln's age" "proceedings of junyao academic seminar of the Palace Museum", October 2013

Research on refiring and technology of junguan porcelain, proceedings of international symposium on science and technology of five famous kilns in song dynasty, October 2015

"Chinese furnace jun art" editor-in-chief "haiyan press" December 2013

China jun porcelain collection and appreciation, deputy editor, elephant press, March 2015

收藏与奖项

2014年5月，由本工作室研发复烧的钧官窑瓷器“鼓钉洗”作为重要礼品，赠送给中国国民党荣誉主席连战。

2014年6月，由本工作室研发复烧的钧官窑瓷器“海棠洗”在中韩青年论坛中赠送给韩国领导人。

官钧系列作品被2013 “禹州年鉴”收录。

2009年11月，作品“荷塘月色”在“河南省艺术陶瓷作品展”获精品奖

2010年6月，作品“仿宋官钧鼓钉洗”被《中国钧瓷年鉴》编委会收藏。

2011年10月，作品“浩瀚星光”在“首届中国钧瓷传承与创新技艺大赛”获金奖。

2012年5月，作品“挂盘”在“河南省钧瓷窑变艺术创新大赛”获金奖。

2012年8月，作品“仿宋海棠式花盆”被钧官窑址博物馆收藏。

2013年11月，作品“官钧葵花花盆”在“第二届河南省钧瓷窑变艺术创新大赛”获银奖。

2014年9月，作品“摩尔—牛”在 “首届河南省陶瓷设计艺术作品大赛”中获精品奖。

2014年10月，作品“挂盘”在第20届郑州全国商品交易会陶瓷作品评比会中获金奖。

2017年12月，作品“生命”在第十届中陶奖“中国陶瓷产品设计大赛”获金奖。

In May 2014, "drum nail washing", a re-fired junguan kiln porcelain developed by our studio, was presented as an important gift to lien chan, honorary chairman of the kuomintang.

In June 2014, "begonia washing", a re-fired junguan kiln porcelain developed by our studio, was presented to the leaders of South Korea in the china-south Korea youth forum.

Guan jun's series of works were included in the 2013 "yuzhou yearbook".

In November 2009, "moonlight in the lotus pond" won the quality award in "henan province art ceramics exhibition"

In June 2010, the work "imitating song guan jun drum nail washing" was collected by the editorial committee of China jun porcelain yearbook.

In October 2011, "vast starlight" won the gold medal in "the first Chinese jun porcelain inheritance and innovation skills competition".

In May 2012, the work "hanging pan" won the gold medal in "henan jun porcelain kiln art innovation competition".

In August 2012, the work "imitating song haitang flowerpot" was collected by junguan kiln site museum.

In November 2013, his work "guanjun sunflower flowerpot" won the silver prize in "the second jun-porcelain kiln art innovation competition of henan province".

In September 2014, "moor-niu" won the quality award in the "first henan province ceramic design art works competition".

In October 2014, the work "hang pan" won the gold medal in the 20th zhengzhou national fair of ceramic works.

In December 2017, "life" won the gold medal in the 10th Chinese ceramic product design competition.

2014年5月，由本工作室研发复烧的钧官窑瓷器“鼓钉洗”被中国国民党荣誉主席连战先生收藏。同年6月，由本工作室研发复烧的钧官窑瓷器“海棠洗”在中韩青年论坛中被韩国领导人收藏。

In May 2014, "drum nail washing", a re-fired junguan kiln porcelain developed by our studio, was collected by lien chan, honorary chairman of the kuomintang.In June of the same year, "begonia washing", a re-fired junguan kiln porcelain developed by the studio, was collected by the Korean leaders in the china-south Korea youth forum.

2015年10月应邀参加宋代五大名窑科学技术国际学术讨论会

In October 2015, he was invited to participate in the International Academic Symposium on Science and Technology of Five Famous Kilns in Song Dynasty

官钧透过历史，演绎了它的完美与经典。出身贵族，止于永恒。它用自身的魅力为自己建立了卓越的艺术形象征服了人类的审美视野。代表了钧窑艺术的最高水平和钧窑艺术永恒的时尚。

Guan Jun through the history, deduce its perfect and classic.A noble birth ends in eternity.With its own charm, it has established a remarkable artistic image for itself and conquered the aesthetic vision of mankind.It represents the highest level of Jun kiln art and the eternal fashion of Jun kiln art.

作品——四季如歌  Work——the four seasons such as song

春天的畅想,一个春意盎然的季节，赋予世界以色彩，赋予希望，赋予未来

Think of the spring, A season of spring, Adds the color to the world, Gives hope that the future.

夏天的浪漫——火一般的季节，热情、积极、向上、欢快、美丽、多姿多彩，充满着激情和浪漫.

The summer romance, The fire season, Enthusiastic, positive, upward, lively, beautiful, colorful, full of passion and romance.

秋天的收获,一个金色季节的收获，成熟而稳重，展示出生命的壮丽和绚烂。

Autumn is harvest season, A golden season of harvest, mature and steady, show the magnificent and gorgeous life.

冬天的严峻——银装素裹，在晶莹剔透的白色下面，透着生命的希望，在千里冰封的单调下面，仍孕育着勃勃生机，只有经过寒冬的萧杀，坚韧的守候，才能换来健康的成长，领略到春天多彩的缤纷……

The severe winter, Snow mountains, under the glittering and translucent get rid of the white, with the hope of life, under the monotonic came, still pregnant with vitality, shaw killed only through the cold winter, tough wait, get healthy growth, appreciate the colorful colorful spring...

作品——星空  works—— the starry sky

作品创作充分利用了多变的现代原材料及不同形式的制作工艺等处理手段，体现了不同形态和釉变本身的语境特色，如同美丽的星空下映衬的天空，给人以深邃、沉稳、幽雅、冷峻、庄重与宁静，如星空之浩瀚，如星云之壮阔，像瞬息的永恒，又像永恒的静止。那深邃的星云后面，如同水洗一般清澈、纯净，那里是否有诸多的联想与梦幻。这种艺术表现正好融合了现代美学思想与理念和现代艺术所体现的“全新艺术语境”。

Make full use of the works creation and changeable modern processing means such as raw material and different forms of technology, embodies the context of different forms and glaze itself characteristic, against the sky like a beautiful sky, give a person with deep, stable, elegant, cold, solemn and quiet, like the vast sky, such as vast nebula, like instant eternal, like the eternal rest. The deep behind the nebula, as water is clear and pure, there are many associations and dream. This kind of artistic performance is combined with modern aesthetic thoughts and ideas and embodied in the modern art context "new art"

在传统的钧窑文化里，千百年来，不断凝聚、积淀出许多优秀、独特的艺术精华，已经融入钧窑文化的血脉之中，为一代代钧窑艺匠们所敬仰、认知、学习和传承。也是钧窑艺匠们最博大的精神追求，是钧窑后代生生不息、薪火相传的肥厚沃土。传统是钧瓷的根脉。一种艺术的崛起或复兴，常常以相关文化的复兴和崛起为先导。一种艺术的衰落或覆灭，则往往以相关文化的颓废和萎靡为先兆。钧瓷艺术的继承与发展，要想在创想的历程中实现，则要靠传统的坚守和推动。传统是钧瓷的本。创想强调时代的理性认同和情感认同。它不是逻辑推理或理性构造的结果，而是传统中长期的历史和文化积淀的产物，创想就要从传统文化的深厚积淀中重铸。

In the traditional traditional kiln culture, in the past thousands of years, the continuous agglomeration, accumulation of many excellent, unique artistic essence, has been integrated into the blood of the kiln culture, and is the worship, the cognition, the study and the inheritance of one generation of the kiln. It is also the greatest spiritual pursuit of the craftsmen of the kiln, and it is a high-quality fertile soil for the generation of the future generations of the kiln and the generation of the fire. The tradition is the root of the porcelain. The rise or revival of an art is often guided by the revival and rise of the relevant culture. The decline or extinction of an art tends to be a precursor to the decadent and collapse of the relevant culture. The inheritance and development of the art of porcelain and porcelain should be realized in the course of creation, and should be held and promoted by the tradition. The tradition is the present of the porcelain. To emphasize the rational identity and the emotional identity of the times. It is not the result of logical reasoning or rational structure, but is the product of the traditional long-and long-term historical and cultural accumulation, and the creation is to be re-cast from the deep accumulation of the traditional culture.

在近现代钧瓷领域中从钧瓷的单色窑变釉、多色窑变釉到复合窑变釉，从色彩窑变、无序窑变到意境窑变，运用不同材料和材料的不同特性创造出了钧瓷艺术新的领域的一些边缘艺术和交叉艺术，把钧釉的色彩、质感及纹理结构有机的融合到作品中，使作品色彩绚烂夺目，变化独特。给作品注入更加丰富的艺术表现力、感染力、生命力和视觉冲击力，作品被视作张扬着粗狂豪爽，大气磅礴之势，散发着乐观向上的气质。加上钧釉的自然窑变使作品的表现更体现出了人与自然的完美结合。

In the field of Jun porcelain in modern times, from monochromatic kiln to glaze, multicolor kiln to composite kiln, from color kiln to disordered kiln to artistic conception kiln, some edge art and cross art in the new field of Jun porcelain art have been created by using the different characteristics of different materials and materials, and the color, texture and texture structure of Jun glaze have been organically integrated into the work, so that the color of the work is dazzling and the change is unique. Inject more abundant artistic expression, appeal, vitality and visual impact into the work, the work is regarded as publicizing the bold and bold, majestic momentum, exudes optimistic and upward temperament. In addition, the natural kiln of Jun glaze makes the performance of the work more reflect the perfect combination of man and nature.